Charles Conder

Fig.1: Landscape with Theodolite (c.1887)
Fig.1: Landscape with Theodolite (c.1887)
Fig.2: Herrick's Blossoms (c.1888)
Fig.2: Herrick's Blossoms (c.1888)
Fig.3: A Taste for Literature (1888)
Fig.3: A Taste for Literature (1888)
Fig.4: The Hot Wind (1889)
Fig.4: The Hot Wind (1889)
Fig.5: A Dream of Handel's Largo (1889)
Fig.5: A Dream of Handel's Largo (1889)
Fig.6: A Dream in Absinthe (1890)
Fig.6: A Dream in Absinthe (1890)
Fig.7a: An illustration for 'Beauty and the Beast' (1908 edition)
Fig.7a: An illustration for 'Beauty and the Beast' (1908 edition)
Fig.7b: An illustration for 'Beauty and the Beast' (1908 edition)
Fig.7b: An illustration for 'Beauty and the Beast' (1908 edition)
Fig.7c: An illustration for 'Beauty and the Beast' (1908 edition)
Fig.7c: An illustration for 'Beauty and the Beast' (1908 edition)
Fig.8a: Recreations of Cupid (The Yellow Book, Oct. 1896)
Fig.8a: Recreations of Cupid (The Yellow Book, Oct. 1896)
Fig.8b: A Masque (The Yellow Book, Apr. 1897)
Fig.8b: A Masque (The Yellow Book, Apr. 1897)
Fig.9a: An illustration for 'La Fille aux Yeux d'Or' (1896)
Fig.9a: An illustration for 'La Fille aux Yeux d'Or' (1896)
Fig.9b: An illustration for 'La Fille aux Yeux d'Or' (1896)
Fig.9b: An illustration for 'La Fille aux Yeux d'Or' (1896)
Fig.10: Mandoline (The Savoy, Jan. 1896)
Fig.10: Mandoline (The Savoy, Jan. 1896)
Fig.11: Almond Trees in Flower (1892), incorporating a verse from FitzGerald's Rubaiyat.
Fig.11: Almond Trees in Flower (1892), incorporating a verse from FitzGerald's Rubaiyat.
Fig.12: The Sleeper and Wild Ass (1892 ?)
Fig.12: The Sleeper and Wild Ass (1892 ?)
Fig.13a: The Conder Rubaiyat, front end-paper.
Fig.13a: The Conder Rubaiyat, front end-paper.
Fig.13b: The Conder Rubaiyat, title-page.
Fig.13b: The Conder Rubaiyat, title-page.
Fig.13c: The Conder Rubaiyat, p.29.
Fig.13c: The Conder Rubaiyat, p.29.
Fig.13d: The Conder Rubaiyat, p.31.
Fig.13d: The Conder Rubaiyat, p.31.
Fig.13e: The Conder Rubaiyat, p.48-9.
Fig.13e: The Conder Rubaiyat, p.48-9.
Fig.13f: The Conder Rubaiyat, p.62.
Fig.13f: The Conder Rubaiyat, p.62.
Fig.13g: The Conder Rubaiyat, p.64-5.
Fig.13g: The Conder Rubaiyat, p.64-5.
Fig.13h: The Conder Rubaiyat, p.67.
Fig.13h: The Conder Rubaiyat, p.67.
Fig.13i: The Conder Rubaiyat, back end-paper.
Fig.13i: The Conder Rubaiyat, back end-paper.
Fig.14: Fruit Trees in Blossom, Algiers (1892)
Fig.14: Fruit Trees in Blossom, Algiers (1892)
Fig.15: Springtime (1892)
Fig.15: Springtime (1892)
Fig.16: The Cottage, Giverny (c.1892-4)
Fig.16: The Cottage, Giverny (c.1892-4)
Fig.17: The Howe in Spring (c.1906)
Fig.17: The Howe in Spring (c.1906)
Fig.18: A Garden of Roses (design for a fan, uncertain date.)
Fig.18: A Garden of Roses (design for a fan, uncertain date.)
Fig.19: Pan (1904 ?)
Fig.19: Pan (1904 ?)
Fig.20: Two Nymphs in a Garden (uncertain date.)
Fig.20: Two Nymphs in a Garden (uncertain date.)
Fig.21a: Les Baigneuses (uncertain date.)
Fig.21a: Les Baigneuses (uncertain date.)
Fig.21b: Au Pays Bleu (uncertain date.)
Fig.21b: Au Pays Bleu (uncertain date.)
Fig.21c: La Sieste (uncertain date.)
Fig.21c: La Sieste (uncertain date.)
Fig.22:  William Orpen, Conder and a Model (c.1900)
Fig.22: William Orpen, Conder and a Model (c.1900)
Fig.23: A Toccata of Galuppi (1900)
Fig.23: A Toccata of Galuppi (1900)
Fig.24: L'Oiseau Bleu (1895)
Fig.24: L'Oiseau Bleu (1895)
Fig.25: The Blue Birds Fan (c.1899)
Fig.25: The Blue Birds Fan (c.1899)
Fig.26a: Albert Maignan, La Muse Verte (1895)
Fig.26a: Albert Maignan, La Muse Verte (1895)
Fig.26b: Joseph Apoux, L'Absinthe (c.1895)
Fig.26b: Joseph Apoux, L'Absinthe (c.1895)
Fig.27: Toulouse Lautrec, At the Moulin Rouge: Two Women Dancing (1892)
Fig.27: Toulouse Lautrec, At the Moulin Rouge: Two Women Dancing (1892)
Fig.28: Death and the Rose (c.1898)
Fig.28: Death and the Rose (c.1898)
Fig.29: The Hot Sands, Mustapha, Algiers (1891-2)
Fig.29: The Hot Sands, Mustapha, Algiers (1891-2)