Gordon Ross

Fig.1a: Rubaiyat - Verse 3
Fig.1a: Rubaiyat - Verse 3
Fig.1b: Rubaiyat - Verse 5
Fig.1b: Rubaiyat - Verse 5
Fig.1c: Rubaiyat - Verse 9
Fig.1c: Rubaiyat - Verse 9
Fig.1d: Rubaiyat - Verse 14
Fig.1d: Rubaiyat - Verse 14
Fig.1e: Rubaiyat - Verse 15
Fig.1e: Rubaiyat - Verse 15
Fig.1f: Rubaiyat - Verse 16
Fig.1f: Rubaiyat - Verse 16
Fig.1g: Rubaiyat - Verse 23
Fig.1g: Rubaiyat - Verse 23
Fig.1h: Rubaiyat - Verse 25
Fig.1h: Rubaiyat - Verse 25
Fig.1i: Rubaiyat - Verse 30
Fig.1i: Rubaiyat - Verse 30
Fig.1j: Rubaiyat - Verse 32
Fig.1j: Rubaiyat - Verse 32
Fig.1k: Rubaiyat - Verse 34
Fig.1k: Rubaiyat - Verse 34
Fig.1l: Rubaiyat - Verse 40
Fig.1l: Rubaiyat - Verse 40
Fig.1m: Rubaiyat - Verse 43
Fig.1m: Rubaiyat - Verse 43
Fig.1n: Rubaiyat - Verse 56
Fig.1n: Rubaiyat - Verse 56
Fig.1o: Rubaiyat - Verse 58
Fig.1o: Rubaiyat - Verse 58
Fig.1p: Rubaiyat - Verse 60
Fig.1p: Rubaiyat - Verse 60
Fig.1q: Rubaiyat - Verse 64
Fig.1q: Rubaiyat - Verse 64
Fig.1r: Rubaiyat - Verse 70
Fig.1r: Rubaiyat - Verse 70
Fig.2: A Balloon Ascension at Midnight (p.8)
Fig.2: A Balloon Ascension at Midnight (p.8)
Fig.3: Prosit - a Book of Toasts (Frontispiece)
Fig.3: Prosit - a Book of Toasts (Frontispiece)
Fig.4a: Matrimonial Primer (Title Page)
Fig.4a: Matrimonial Primer (Title Page)
Fig.4b: Matrimonial Primer (Letter D vignette)
Fig.4b: Matrimonial Primer (Letter D vignette)
Fig.4c: Matrimonial Primer (Multiplication)
Fig.4c: Matrimonial Primer (Multiplication)
Fig.4d: Matrimonial Primer (Division)
Fig.4d: Matrimonial Primer (Division)
Fig.5: Sovereign Woman versus Mere Man (Frontispiece)
Fig.5: Sovereign Woman versus Mere Man (Frontispiece)
Fig.6: Norroy, Diplomatic Agent (Frontispiece)
Fig.6: Norroy, Diplomatic Agent (Frontispiece)
Fig.7a: Impertinent Poems (Cover)
Fig.7a: Impertinent Poems (Cover)
Fig.7b: Impertinent Poems (Vanity)
Fig.7b: Impertinent Poems (Vanity)
Fig.7c: Impertinent Poems (Father Time)
Fig.7c: Impertinent Poems (Father Time)
Fig.7d: Impertinent Poems (Father Time)
Fig.7d: Impertinent Poems (Father Time)
Fig.7e: Impertinent Poems (Peasant and King)
Fig.7e: Impertinent Poems (Peasant and King)
Fig.7f: Impertinent Poems (Poet)
Fig.7f: Impertinent Poems (Poet)
Fig.7g: Impertinent Poems (End-piece)
Fig.7g: Impertinent Poems (End-piece)
Fig.8: Illustration for Harper's Weekly.
Fig.8: Illustration for Harper's Weekly.
Fig.9a: Cover Illustration for Puck Magazine
Fig.9a: Cover Illustration for Puck Magazine
Fig.9b: Centrefold Illustration for Puck Magazine
Fig.9b: Centrefold Illustration for Puck Magazine
Fig.10: Cover Illustration for Leslie's Weekly Magazine
Fig.10: Cover Illustration for Leslie's Weekly Magazine
Fig.11a: The Children's Munchausen (facing p.38)
Fig.11a: The Children's Munchausen (facing p.38)
Fig.11b: The Children's Munchausen (facing p.74)
Fig.11b: The Children's Munchausen (facing p.74)
Fig.11c: The Children's Munchausen (facing p.36)
Fig.11c: The Children's Munchausen (facing p.36)
Fig.11d: The Children's Munchausen (facing p.68)
Fig.11d: The Children's Munchausen (facing p.68)
Fig.12a: Ladies in Hades (Lilith)
Fig.12a: Ladies in Hades (Lilith)
Fig.12b: Ladies in Hades (Eve)
Fig.12b: Ladies in Hades (Eve)
Fig.12c: Ladies in Hades (Salome)
Fig.12c: Ladies in Hades (Salome)
Fig.12d: Ladies in Hades (Lucrezia Borgia)
Fig.12d: Ladies in Hades (Lucrezia Borgia)
Fig.12e: Ladies in Hades (Sappho)
Fig.12e: Ladies in Hades (Sappho)
Fig.12f: Ladies in Hades (Cleopatra)
Fig.12f: Ladies in Hades (Cleopatra)
Fig.12g: Ladies in Hades (Satan)
Fig.12g: Ladies in Hades (Satan)
Fig.13: Rural Sports (Title Page and Frontispiece)
Fig.13: Rural Sports (Title Page and Frontispiece)
Fig.14a: A Christmas Carol (Frontispiece)
Fig.14a: A Christmas Carol (Frontispiece)
Fig.14b: A Christmas Carol (facing p.54)
Fig.14b: A Christmas Carol (facing p.54)
Fig.15a: Great Expectations (Frontispiece)
Fig.15a: Great Expectations (Frontispiece)
Fig.15b: Great Expectations (facing p.3)
Fig.15b: Great Expectations (facing p.3)
Fig.16a: The Posthumous Papers of the Pickwick Club (Frontispiece)
Fig.16a: The Posthumous Papers of the Pickwick Club (Frontispiece)
Fig.16b: The Posthumous Papers of the Pickwick Club (facing p.108)
Fig.16b: The Posthumous Papers of the Pickwick Club (facing p.108)
Fig.16c: The Posthumous Papers of the Pickwick Club (p.385)
Fig.16c: The Posthumous Papers of the Pickwick Club (p.385)
Fig.16d: The Posthumous Papers of the Pickwick Club (p.602)
Fig.16d: The Posthumous Papers of the Pickwick Club (p.602)
Fig.17a: The Sketchbook of Geoffrey Crayon (facing p.50)
Fig.17a: The Sketchbook of Geoffrey Crayon (facing p.50)
Fig.17b: The Sketchbook of Geoffrey Crayon (p.79)
Fig.17b: The Sketchbook of Geoffrey Crayon (p.79)
Fig.17c: The Sketchbook of Geoffrey Crayon (p.134)
Fig.17c: The Sketchbook of Geoffrey Crayon (p.134)
Fig.17d: The Sketchbook of Geoffrey Crayon (p.255)
Fig.17d: The Sketchbook of Geoffrey Crayon (p.255)
Fig.17e: The Sketchbook of Geoffrey Crayon (p.334)
Fig.17e: The Sketchbook of Geoffrey Crayon (p.334)
Fig.18: Pony Jungle (p.120-1)
Fig.18: Pony Jungle (p.120-1)
Fig.19a: The Sir Roger de Coverley Papers (facing p.21)
Fig.19a: The Sir Roger de Coverley Papers (facing p.21)
Fig.19b: The Sir Roger de Coverley Papers (facing p.77)
Fig.19b: The Sir Roger de Coverley Papers (facing p.77)
Fig.19c: The Sir Roger de Coverley Papers (facing p.92)
Fig.19c: The Sir Roger de Coverley Papers (facing p.92)
Fig.20a: Living Biographies of Great Painters (facing p.249)
Fig.20a: Living Biographies of Great Painters (facing p.249)
Fig.20b: Living Biographies of Great Poets (facing p.184)
Fig.20b: Living Biographies of Great Poets (facing p.184)
Fig.21: A fifteenth century Wheel of Fortune
Fig.21: A fifteenth century Wheel of Fortune
Fig.22: Walter Crane, The Mower
Fig.22: Walter Crane, The Mower
Fig.23: Dante Gabriel Rossetti, The Sphinx or The Question
Fig.23: Dante Gabriel Rossetti, The Sphinx or The Question
Fig.24: William Strang, Father Time
Fig.24: William Strang, Father Time
Fig.25: John Collier, Lilith
Fig.25: John Collier, Lilith