Helen Sinclair (1892 - 1986)

Fig.1 - Illustration of FitzGerald's verse 34 (first edition.)
Fig.1 - Illustration of FitzGerald's verse 34 (first edition.)
Fig.2 - Illustration of FitzGerald's verse 47 (first edition.)
Fig.2 - Illustration of FitzGerald's verse 47 (first edition.)
Fig.3 - Helen (seated) with her father and sister Mary (c.1908.)
Fig.3 - Helen (seated) with her father and sister Mary (c.1908.)
Fig.4a - Helen (front centre) at the Royal Academy Schools.
Fig.4a - Helen (front centre) at the Royal Academy Schools.
Fig.4b - Helen (front row, right) at the Royal Academy Schools. Evelyn Young is next to her.
Fig.4b - Helen (front row, right) at the Royal Academy Schools. Evelyn Young is next to her.
Fig.5 - Portrait of Helen by Evelyn Young.
Fig.5 - Portrait of Helen by Evelyn Young.
Fig.6 - 'Ruby', by Evelyn Young.
Fig.6 - 'Ruby', by Evelyn Young.
Fig.7 - Helen's portrait of May Peart.
Fig.7 - Helen's portrait of May Peart.
Fig.8 - Helen's portrait of Muriel Bourne.
Fig.8 - Helen's portrait of Muriel Bourne.
Fig.9 - Helen's 'Spring Morning'.
Fig.9 - Helen's 'Spring Morning'.
Fig.10 - Untitled, but quite possibly an illustration of FitzGerald's verse 48 (first edition.)
Fig.10 - Untitled, but quite possibly an illustration of FitzGerald's verse 48 (first edition.)
Fig.11 - Untitled, but known to the family as 'The Final Curtain.'
Fig.11 - Untitled, but known to the family as 'The Final Curtain.'
Fig.12 - The Rubaiyat pictures in Helen's sitting-room.
Fig.12 - The Rubaiyat pictures in Helen's sitting-room.
Fig.13 - Portrait of May Peart by Helen.
Fig.13 - Portrait of May Peart by Helen.
Fig.14 - Helen as the model for Queen Elizabeth I.
Fig.14 - Helen as the model for Queen Elizabeth I.
Fig.15 - Helen's poster for Austin Cars.
Fig.15 - Helen's poster for Austin Cars.
Fig.16 - One of Helen's decorative capitals for 'The Austin Advocate'.
Fig.16 - One of Helen's decorative capitals for 'The Austin Advocate'.
Fig.17 - At the munitions factory c.1915. (Helen and May are near the middle of the back row in head-scarves, Helen is on the right.)
Fig.17 - At the munitions factory c.1915. (Helen and May are near the middle of the back row in head-scarves, Helen is on the right.)
Fig.18 - Helen's portrait of Monica Sanctuary, dated 1922.
Fig.18 - Helen's portrait of Monica Sanctuary, dated 1922.
Fig.19 - The cover of 'Once upon a Time'.
Fig.19 - The cover of 'Once upon a Time'.
Fig.20 - Frontispiece of 'Once upon a Time'
Fig.20 - Frontispiece of 'Once upon a Time'
Fig.21 - 'Once upon a Time' (facing p.26.)
Fig.21 - 'Once upon a Time' (facing p.26.)
Fig.22 - 'Once upon a Time' (facing p.68.)
Fig.22 - 'Once upon a Time' (facing p.68.)
Fig.23 - 'Once upon a Time' (on p.89.)
Fig.23 - 'Once upon a Time' (on p.89.)
Fig.24a - Helen saying goodbye to her London studio in 1923.
Fig.24a - Helen saying goodbye to her London studio in 1923.
Fig.24b - Helen saying goodbye to her London studio in 1923.
Fig.24b - Helen saying goodbye to her London studio in 1923.
Fig.25a - Helen's portrait of her daughter, aged 3.
Fig.25a - Helen's portrait of her daughter, aged 3.
Fig.25b - Another portrait of her daughter, aged about 10
Fig.25b - Another portrait of her daughter, aged about 10
Fig.26 - A family group photo, taken in about 1929.
Fig.26 - A family group photo, taken in about 1929.
Fig.27a - Portrait of her brother Eric, dated 1930.
Fig.27a - Portrait of her brother Eric, dated 1930.
Fig.27b - Portrait of Peter Lloyd, dated 1944.
Fig.27b - Portrait of Peter Lloyd, dated 1944.
Fig.27c - Portrait of an unknown sitter, dated 1947.
Fig.27c - Portrait of an unknown sitter, dated 1947.
Fig.28 - Landscape, painted in Malta in about 1949.
Fig.28 - Landscape, painted in Malta in about 1949.
Fig.29 - Landscape painted in South Africa in about 1954.
Fig.29 - Landscape painted in South Africa in about 1954.
Fig.30a - Early sketch-book (c.1908), titled 'Radha Krishna'.
Fig.30a - Early sketch-book (c.1908), titled 'Radha Krishna'.
Fig.30b - Early sketch-book (c.1908), a reclining woman.
Fig.30b - Early sketch-book (c.1908), a reclining woman.
Fig.30c - Early sketch-book (c.1908), a mermaid.
Fig.30c - Early sketch-book (c.1908), a mermaid.
Fig.31a - London work (c.1915), sketch for a wartime propaganda poster.
Fig.31a - London work (c.1915), sketch for a wartime propaganda poster.
Fig.31b - London work (c.1915), a circus scene.
Fig.31b - London work (c.1915), a circus scene.
Fig.32 - Presumed to be a sea nymph (unsigned and undated).
Fig.32 - Presumed to be a sea nymph (unsigned and undated).
Fig.33 - May Peart, 'Over the Moon' (facing p.78).
Fig.33 - May Peart, 'Over the Moon' (facing p.78).
Fig.34 - May Peart, 'The Perigog' (p.5).
Fig.34 - May Peart, 'The Perigog' (p.5).
Fig.35a - May Peart, 'Kiki the Sacred Cat & Other Stories' (p.7).
Fig.35a - May Peart, 'Kiki the Sacred Cat & Other Stories' (p.7).
Fig.35b - May Peart, 'Kiki the Sacred Cat & Other Stories' (p.31).
Fig.35b - May Peart, 'Kiki the Sacred Cat & Other Stories' (p.31).
Fig.36 - May Peart, 'The Water Babies'.
Fig.36 - May Peart, 'The Water Babies'.
Fig.37 - May Peart, Untitled.
Fig.37 - May Peart, Untitled.
Fig.38 - May Peart, Untitled, but possibly the Chinese goddess Xi Wangmu.
Fig.38 - May Peart, Untitled, but possibly the Chinese goddess Xi Wangmu.
Fig.39 - May Peart, Untitled.
Fig.39 - May Peart, Untitled.