Lawrence Andrew Patterson

Fig.1a: Lawrence A. Patterson in 1927.<br>
Fig.1a: Lawrence A. Patterson in 1927.
Fig.1b: Lawrence Patterson's California State Library Card for 1932.<br>
Fig.1b: Lawrence Patterson's California State Library Card for 1932.
Fig.1c: Lawrence Patterson's grave.<br>
Fig.1c: Lawrence Patterson's grave.
Fig.2a: The Rubaiyat, title-page.<br>
Fig.2a: The Rubaiyat, title-page.
Fig.2b: The Rubaiyat, colophon.<br>
Fig.2b: The Rubaiyat, colophon.
Fig.2c: The Rubaiyat, frontispiece.<br>
Fig.2c: The Rubaiyat, frontispiece.
Fig.2d: The Rubaiyat, quatrain 1.<br>
Fig.2d: The Rubaiyat, quatrain 1.
Fig.2e: The Rubaiyat, quatrain 7.<br>
Fig.2e: The Rubaiyat, quatrain 7.
Fig.2f: The Rubaiyat, quatrain 34.<br>
Fig.2f: The Rubaiyat, quatrain 34.
Fig.2g: The Rubaiyat, quatrain 49.<br>
Fig.2g: The Rubaiyat, quatrain 49.
Fig.2h: The Rubaiyat, quatrain 50 ?<br>
Fig.2h: The Rubaiyat, quatrain 50 ?
Fig.2i: The Rubaiyat, quatrain 71.<br>
Fig.2i: The Rubaiyat, quatrain 71.
Fig.2j: The Rubaiyat, quatrain 76.<br>
Fig.2j: The Rubaiyat, quatrain 76.
Fig.3a: The Rubaiyat, the opening vignette.<br>
Fig.3a: The Rubaiyat, the opening vignette.
Fig.3b: The Rubaiyat, the closing vignette.<br>
Fig.3b: The Rubaiyat, the closing vignette.
Fig.3c: The Rubaiyat, vignette 1.<br>
Fig.3c: The Rubaiyat, vignette 1.
Fig.3d: The Rubaiyat, vignette 2.<br>
Fig.3d: The Rubaiyat, vignette 2.
Fig.3e: The Rubaiyat, vignette 3.<br>
Fig.3e: The Rubaiyat, vignette 3.
Fig.3f: The Rubaiyat, vignette 4.<br>
Fig.3f: The Rubaiyat, vignette 4.
Fig.3g: The Rubaiyat, vignette 5.<br>
Fig.3g: The Rubaiyat, vignette 5.
Fig.3h: The Rubaiyat, vignette 6.<br>
Fig.3h: The Rubaiyat, vignette 6.
Fig.3i: The Rubaiyat, vignette 7.<br>
Fig.3i: The Rubaiyat, vignette 7.
Fig.3j: The Rubaiyat, film-strip view of vignettes 1 to 7.<br>
Fig.3j: The Rubaiyat, film-strip view of vignettes 1 to 7.
Fig.4a: Golden Tales, The Procurator of Judaea - a Jewish dancing girl.<br>
Fig.4a: Golden Tales, The Procurator of Judaea - a Jewish dancing girl.
Fig.4b: Golden Tales, The Procurator of Judaea - Laelius, Pilate and Christ.<br>
Fig.4b: Golden Tales, The Procurator of Judaea - Laelius, Pilate and Christ.
Fig.4c: Golden Tales, Putois - the seducer of young women.<br>
Fig.4c: Golden Tales, Putois - the seducer of young women.
Fig.4d: Golden Tales, Putois - the birth of the imaginary Putois.<br>
Fig.4d: Golden Tales, Putois - the birth of the imaginary Putois.
Fig.4e: Golden Tales, The Seven Wives of Bluebeard - his fifth wife.<br>
Fig.4e: Golden Tales, The Seven Wives of Bluebeard - his fifth wife.
Fig.4f: Golden Tales, The Seven Wives of Bluebeard - the treacherous family of his seventh wife.<br>
Fig.4f: Golden Tales, The Seven Wives of Bluebeard - the treacherous family of his seventh wife.
Fig.4g: Golden Tales, Balthasar - the Star of Bethlehem.<br>
Fig.4g: Golden Tales, Balthasar - the Star of Bethlehem.
Fig.4h: Golden Tales, Balthasar - the Queen of Sheba loses Balthasar to the Star.<br>
Fig.4h: Golden Tales, Balthasar - the Queen of Sheba loses Balthasar to the Star.
Fig.4i: Golden Tales, The Daughter of Lilith - the Prayer of Leila.<br>
Fig.4i: Golden Tales, The Daughter of Lilith - the Prayer of Leila.
Fig.4j: Golden Tales, The Daughter of Lilith - Leila seduces and destroys.<br>
Fig.4j: Golden Tales, The Daughter of Lilith - Leila seduces and destroys.
Fig.4k: Golden Tales, Laeta Acilia - Mary Magdalene fails to convert Laeta Acilia.<br>
Fig.4k: Golden Tales, Laeta Acilia - Mary Magdalene fails to convert Laeta Acilia.
Fig.4l: Golden Tales, Laeta Acilia - Mary Magdalene retires to a cave.<br>
Fig.4l: Golden Tales, Laeta Acilia - Mary Magdalene retires to a cave.
Fig.4m: Golden Tales, The Miracle of the Great St. Nicholas - Robin in his counting house.<br>
Fig.4m: Golden Tales, The Miracle of the Great St. Nicholas - Robin in his counting house.
Fig.4n: Golden Tales, The Miracle of the Great St. Nicholas - Maxime having seduced the Saint's niece.<br>
Fig.4n: Golden Tales, The Miracle of the Great St. Nicholas - Maxime having seduced the Saint's niece.
Fig.4o: Golden Tales, The Miracle of the Great St. Nicholas - the Saint's niece as a deluded Edenite.<br>
Fig.4o: Golden Tales, The Miracle of the Great St. Nicholas - the Saint's niece as a deluded Edenite.
Fig.4p: Golden Tales, Crainquebille - the trials and tribulations of a costermonger.<br>
Fig.4p: Golden Tales, Crainquebille - the trials and tribulations of a costermonger.
Fig.5a: The Wind in the Lilacs, title-page and frontispiece.<br>
Fig.5a: The Wind in the Lilacs, title-page and frontispiece.
Fig.5b: The Wind in the Lilacs, colophon with lilacs headpiece.<br>
Fig.5b: The Wind in the Lilacs, colophon with lilacs headpiece.
Fig.6a: Queen Melanie, frontispiece.<br>
Fig.6a: Queen Melanie, frontispiece.
Fig.6b: Queen Melanie, opening vignette.<br>
Fig.6b: Queen Melanie, opening vignette.
Fig.6c: Queen Melanie, closing vignette.<br>
Fig.6c: Queen Melanie, closing vignette.
Fig.7a: West Wind, the heading of the Prologue.<br>
Fig.7a: West Wind, the heading of the Prologue.
Fig.7b: West Wind, the heading of Chapter 3.<br>
Fig.7b: West Wind, the heading of Chapter 3.
Fig.7c: West Wind, the heading of Chapter 5.<br>
Fig.7c: West Wind, the heading of Chapter 5.
Fig.7d: West Wind, the heading of Chapter 11.<br>
Fig.7d: West Wind, the heading of Chapter 11.
Fig.7e: West Wind, the heading of the Epilogue.<br>
Fig.7e: West Wind, the heading of the Epilogue.
Fig.8a: Print - A Night Mooring on the Chien-te River.<br>
Fig.8a: Print - A Night Mooring on the Chien-te River.
Fig.8b: Print - Francis Thompson, The Hound of Heaven.<br>
Fig.8b: Print - Francis Thompson, The Hound of Heaven.
Fig.9a: Signed typed copy of Patterson's initial naturalization application of 1918.<br>
Fig.9a: Signed typed copy of Patterson's initial naturalization application of 1918.
Fig.9b: The signature in Fig.2b (top) compared with that in Fig.9a (bottom).<br>
Fig.9b: The signature in Fig.2b (top) compared with that in Fig.9a (bottom).