E. A. Cox

Fig.1a: Rubaiyat - quatrain 1.
Fig.1a: Rubaiyat - quatrain 1.
Fig.1b: Rubaiyat - quatrain 30.
Fig.1b: Rubaiyat - quatrain 30.
Fig.1c: Rubaiyat - quatrain 40.
Fig.1c: Rubaiyat - quatrain 40.
Fig.1d: Rubaiyat - quatrain 50.
Fig.1d: Rubaiyat - quatrain 50.
Fig.1e: Rubaiyat - quatrain 60.
Fig.1e: Rubaiyat - quatrain 60.
Fig.2a: Salaman & Absal (p.18.)
Fig.2a: Salaman & Absal (p.18.)
Fig.2b: Salaman & Absal (p.31.)
Fig.2b: Salaman & Absal (p.31.)
Fig.2c: Salaman & Absal (p.53.)
Fig.2c: Salaman & Absal (p.53.)
Fig.2d: Salaman & Absal (p.61.)
Fig.2d: Salaman & Absal (p.61.)
Fig.2e: Salaman & Absal - title page.
Fig.2e: Salaman & Absal - title page.
Fig.3a: Royal Exchange panel by Cox.
Fig.3a: Royal Exchange panel by Cox.
Fig.3b: Royal Exchange panel by Brangwyn.
Fig.3b: Royal Exchange panel by Brangwyn.
Fig.4a: Orient Shipping Line poster.
Fig.4a: Orient Shipping Line poster.
Fig.4b: London Underground poster.
Fig.4b: London Underground poster.
Fig.4c: Tourist promotional poster.
Fig.4c: Tourist promotional poster.
Fig.5: E.A. Cox in 1926.
Fig.5: E.A. Cox in 1926.
Fig.6a: Sayings of Confucius (p.11.)
Fig.6a: Sayings of Confucius (p.11.)
Fig.6b: Sayings of Confucius (p.25.)
Fig.6b: Sayings of Confucius (p.25.)
Fig.7a: Aucassin & Nicolette (p.13.)
Fig.7a: Aucassin & Nicolette (p.13.)
Fig.7b: Aucassin & Nicolette (p.33.)
Fig.7b: Aucassin & Nicolette (p.33.)
Fig.8a: Abelard & Heloise (p.17.)
Fig.8a: Abelard & Heloise (p.17.)
Fig.8b: Abelard & Heloise (p.49.)
Fig.8b: Abelard & Heloise (p.49.)
Fig.9a: Thames Side Yesterdays - title page.
Fig.9a: Thames Side Yesterdays - title page.
Fig.9b: Thames Side Yesterdays (p.19.)
Fig.9b: Thames Side Yesterdays (p.19.)
Fig.9c: Thames Side Yesterdays (p.27.)
Fig.9c: Thames Side Yesterdays (p.27.)
Fig.9d: Thames Side Yesterdays (p.45.)
Fig.9d: Thames Side Yesterdays (p.45.)
Fig.10a: Country Days & Country Ways (p.15.)
Fig.10a: Country Days & Country Ways (p.15.)
Fig.10b: Country Days & Country Ways (p.43.)
Fig.10b: Country Days & Country Ways (p.43.)
Fig.10c: Country Days & Country Ways (p.20.)
Fig.10c: Country Days & Country Ways (p.20.)
Fig.11a: Westward Ho! (facing p.180.)
Fig.11a: Westward Ho! (facing p.180.)
Fig.11b: Westward Ho! (facing p.256.)
Fig.11b: Westward Ho! (facing p.256.)
Fig.12a: Lays of Ancient Rome (p.59.)
Fig.12a: Lays of Ancient Rome (p.59.)
Fig.12b: Lays of Ancient Rome (p.149.)
Fig.12b: Lays of Ancient Rome (p.149.)
Fig.12c: Lays of Ancient Rome - frontispiece.
Fig.12c: Lays of Ancient Rome - frontispiece.
Fig.13: The Story of England (p.125.)
Fig.13: The Story of England (p.125.)
Fig.14: London's Country travel poster.
Fig.14: London's Country travel poster.
Fig.15: In the Land where Time moves slowly (undated.)
Fig.15: In the Land where Time moves slowly (undated.)
Fig.16: Ann's Youngest Daughter (undated.)
Fig.16: Ann's Youngest Daughter (undated.)
Fig.17a: Venice (1945.)
Fig.17a: Venice (1945.)
Fig.17b: Ancient & Modern (c.1946.)
Fig.17b: Ancient & Modern (c.1946.)
Fig.18a: Little Thatched Cottage (1943.)
Fig.18a: Little Thatched Cottage (1943.)
Fig.18b: The Departure of William (c.1948.)
Fig.18b: The Departure of William (c.1948.)