Fig.1a: Rubaiyat, verse 67.
Fig.1b: Rubaiyat, verse 82.
Fig.1c: Rubaiyat, verse 89.
Fig.1d: Rubaiyat, verse 94.
Fig.1e: Rubaiyat, verse 175.
Fig.1f: Rubaiyat, verse 198.
Fig.1g: Rubaiyat, verse 227.
Fig.1h: Rubaiyat, verse 237.
Fig.1i: Rubaiyat, verse 350.
Fig.1j: Rubaiyat, verse 371.
Fig.2a: Light of Asia, frontispiece.
Fig.2b: Light of Asia, facing p.26.
Fig.2c: Light of Asia, facing p.44.
Fig.2d: Light of Asia, facing p.94.
Fig.2e: Light of Asia, facing p.150.
Fig.2f: Light of Asia, facing p.176.
Fig.3a: At the Feet of the Master (frontispiece portrait.)
Fig.3b: At the Feet of the Master (photo of Krishnamurti.)
Fig.3c: At the Feet of the Master, Contemplation.
Fig.3d: At the Feet of the Master, Refraining from Speaking.
Fig.3e: At the Feet of the Master, Confidence in the Master.
Fig.3f: At the Feet of the Master, Love for Animals.
Fig.4: Illustrated London News, Tutankhamun's Tomb.
Fig.5a: Cartoon from The Sphinx.
Fig.5b: Cartoon from The Sphinx.
Fig.5c: Tomb of Petosiris from The Sphinx.
Fig.6a: Drawing from Lefebvre's Tomb of Petosiris.
Fig.6b: Watercolour from Lefebvre's Tomb of Petosiris.
Fig.7a: Mural from Karanis.
Fig.7b: Mural from Karanis.
Fig.8: Ruth Deyo depicted as Nefertiti.
Fig.9a: View from the Flat of H.S. Duckworth, Alexandria.
Fig.9b: Montaza Palace, Alexandria.
Fig.9c: Citadel of Qaitbay, Alexandria.
Fig.9d: View of Pyramids.
Fig.10a: Picture of an unidentified woman.
Fig.10b: Picture of an unidentified woman.
Fig.10c: Picture of an unidentified woman.
Fig.10d: Study of an Arab Woman.
Fig.10e: Family Group seated in a Field / Eta Reeds.
Fig.10f: Watercolour (no named subject.)
Fig.11a: Pulpit in a Mosque.
Fig.11b: Camel and Rider.
Fig.12: Composition.
Fig.13a: Introduction.
Fig.13b: Can Openers.
Fig.13c: Gaskets.
Fig.13d: Plastics.
Fig.13e: Perspex.
Fig.13f: Power Cartridge (first version.)
Fig.13g: Power Cartridge (second version.)
Fig.14a: Fireguard.
Fig.14b: Sea Shells.
Fig.15a: Fertility 1.
Fig.15b: Fertility 2.
Fig.15c: Research and Production.
Fig.16a: Portrait of Agnes Wilson.
Fig.16b: Portrait of Agnes Wilson used in a Prestige Advertisement.
Fig.16c: Portrait of Sarah Ann Brown.
Fig.16d: Introduction used in a Prestige Advertisement.
Fig.17: Self-portrait by Hamzeh Carr.
Fig.18: A Redbrick House.