Hope Weston

Fig.1: Dust-jacket of The Restless Team.
Fig.1: Dust-jacket of The Restless Team.		 Fig.2a: The Rubaiyat - illustration for quatrain 16.
Fig.2a: The Rubaiyat - illustration for quatrain 16.		 Fig.2b: The Rubaiyat - illustration for quatrain 23.
Fig.2b: The Rubaiyat - illustration for quatrain 23.		 Fig.2c: The Rubaiyat - illustration for quatrain 31 (Frontispiece.)
Fig.2c: The Rubaiyat - illustration for quatrain 31 (Frontispiece.)		 Fig.2d: The Rubaiyat - illustration for quatrain 46.
Fig.2d: The Rubaiyat - illustration for quatrain 46.		 Fig.2e: The Rubaiyat - illustration for quatrain 54.
Fig.2e: The Rubaiyat - illustration for quatrain 54.
Fig.3a: Princess Joy - the fairy aspect.
Fig.3a: Princess Joy - the fairy aspect.		 Fig.3b: Princess Joy - the allegorical aspect (Ambition.)
Fig.3b: Princess Joy - the allegorical aspect (Ambition.)		 Fig.3c: Princess Joy - the allegorical aspect (Faith and Love.)
Fig.3c: Princess Joy - the allegorical aspect (Faith and Love.)		 Fig.4: Dust-jacket of The Eyes of the Village.
Fig.4: Dust-jacket of The Eyes of the Village.		 Fig.5a: The Elyxir.
Fig.5a: The Elyxir.		 Fig.5b: Portrait of Mrs Maria Ludovici.
Fig.5b: Portrait of Mrs Maria Ludovici.
Fig.5c: Claude Flight's Painting Lesson.
Fig.5c: Claude Flight's Painting Lesson.		 Fig.6: Dust-jacket of Masquerade.
Fig.6: Dust-jacket of Masquerade.		 Fig.7a: A review of Masquerade.
Fig.7a: A review of Masquerade.		 Fig.7b: Harold Weston's contact details in 1919.
Fig.7b: Harold Weston's contact details in 1919.