Webster Murray

Fig.1a: Rubaiyat quatrain 1.
Fig.1a: Rubaiyat quatrain 1.
Fig.1b: Rubaiyat quatrain 3.
Fig.1b: Rubaiyat quatrain 3.
Fig.1c: Rubaiyat quatrain 11.
Fig.1c: Rubaiyat quatrain 11.
Fig.1d: Rubaiyat quatrain 36.
Fig.1d: Rubaiyat quatrain 36.
Fig.1e: Rubaiyat quatrain 51.
Fig.1e: Rubaiyat quatrain 51.
Fig.1f: Rubaiyat quatrain 67.
Fig.1f: Rubaiyat quatrain 67.
Fig.2a: Candide & the Marchioness' garter.
Fig.2a: Candide & the Marchioness' garter.
Fig.2b: Candide & the Circassian virgin.
Fig.2b: Candide & the Circassian virgin.
Fig.3a: The Golden Ass - Lucius & Fotis.
Fig.3a: The Golden Ass - Lucius & Fotis.
Fig.3b: The Golden Ass - Lucius turning into an ass.
Fig.3b: The Golden Ass - Lucius turning into an ass.
Fig.3c: The Golden Ass - Lucius as an ass, with Fotis.
Fig.3c: The Golden Ass - Lucius as an ass, with Fotis.
Fig.4a: Daphnis and Chloe - after Cupid has fired his arrow.
Fig.4a: Daphnis and Chloe - after Cupid has fired his arrow.
Fig.4b: Daphnis and Chloe - Daphnis with the drunken Gnatho.
Fig.4b: Daphnis and Chloe - Daphnis with the drunken Gnatho.
Fig.5a: Moll Flanders - Moll with the two brothers in love with her.
Fig.5a: Moll Flanders - Moll with the two brothers in love with her.
Fig.5b: Moll Flanders - Moll with the man in Bath.
Fig.5b: Moll Flanders - Moll with the man in Bath.
Fig.6a: The Tree - cover design.
Fig.6a: The Tree - cover design.
Fig.6b: The Tree - a typical marginal illustration.
Fig.6b: The Tree - a typical marginal illustration.
Fig.7: The Ghost Boat - Peter & John caught in a squall.
Fig.7: The Ghost Boat - Peter & John caught in a squall.
Fig.8: Fireworks & Fetes - a typical two page spread.
Fig.8: Fireworks & Fetes - a typical two page spread.
Fig.9a: Suzanne & the Elders (Tatler.)
Fig.9a: Suzanne & the Elders (Tatler.)
Fig.9b: Light & Shadow (Tatler.)
Fig.9b: Light & Shadow (Tatler.)
Fig.9c: Fine Feathers (Bystander.)
Fig.9c: Fine Feathers (Bystander.)
Fig.9d: Summer breezes (Tatler.)
Fig.9d: Summer breezes (Tatler.)
Fig.10a: Bribery & Corruption (Tatler.)
Fig.10a: Bribery & Corruption (Tatler.)
Fig.10b: An Eastern Girl (Tatler.)
Fig.10b: An Eastern Girl (Tatler.)
Fig.10c: In a Persian Garden (Bystander.)
Fig.10c: In a Persian Garden (Bystander.)
Fig.10d: A Tale of Fair Kashmir (Tatler.)
Fig.10d: A Tale of Fair Kashmir (Tatler.)
Fig.11a: Cartoon (Punch.)
Fig.11a: Cartoon (Punch.)
Fig.11b: Cartoon (Bystander.)
Fig.11b: Cartoon (Bystander.)
Fig.12a: Rivalry (Tatler.)
Fig.12a: Rivalry (Tatler.)
Fig.12b: A Possible Theme for the Russian Ballet (Sketch.)
Fig.12b: A Possible Theme for the Russian Ballet (Sketch.)
Fig.12c: A Rima'rkable Change (Sketch.)
Fig.12c: A Rima'rkable Change (Sketch.)
Fig.12d: Horrors, My Wife! (Tatler.)
Fig.12d: Horrors, My Wife! (Tatler.)
Fig.12e: Cherchez La Femme (Tatler.)
Fig.12e: Cherchez La Femme (Tatler.)
Fig.12f: The Wedding Night, 1829 (Tatler.)
Fig.12f: The Wedding Night, 1829 (Tatler.)
Fig.12g: The Wedding Night, 1929 (Tatler.)
Fig.12g: The Wedding Night, 1929 (Tatler.)
Fig.12h: The Spider in the Garden of Eden (Sketch.)
Fig.12h: The Spider in the Garden of Eden (Sketch.)
Fig.13a: Webster Murray, self-portrait, 1922.
Fig.13a: Webster Murray, self-portrait, 1922.
Fig.13b: Webster Murray, photograph, 1933.
Fig.13b: Webster Murray, photograph, 1933.
Fig.14a: Parisian Revelry (Bystander.)
Fig.14a: Parisian Revelry (Bystander.)
Fig.14b: Parisian Revelry (Bystander.)
Fig.14b: Parisian Revelry (Bystander.)
Fig.14c: East of Suez (Bystander.)
Fig.14c: East of Suez (Bystander.)
Fig.14d: A Winter Sports Novelty (Bystander.)
Fig.14d: A Winter Sports Novelty (Bystander.)
Fig.15a: Second World War Cartoon (Bradshaw.)
Fig.15a: Second World War Cartoon (Bradshaw.)
Fig.15b: A Lightning Self-Portrait (Bradshaw.)
Fig.15b: A Lightning Self-Portrait (Bradshaw.)
Fig.15c: A Charming Five-Minute Sketch (Bradshaw.)
Fig.15c: A Charming Five-Minute Sketch (Bradshaw.)
Fig.16: The Hudson Memorial in Hyde Park.
Fig.16: The Hudson Memorial in Hyde Park.